mb1685
Well-Known Member
Huge guitar and audio engineering nerd checking in (even though I'm just a lowly wannabe at this stage, not in the Navy). Been through a lot of rigs and axes. Some of my favorite guitars off the top of my head were my Gibson Les Paul Signature T, Burny Les Paul Custom Black Beauty (Japanese copy), and PRS CE-22. I used to be into rack gear and really liked the Marshall JMP-1 and ADA MP-1 preamps (and I'd still love to get my hands on a Groove Tubes Trio or maybe a Mesa Quad). Owned a couple of Mesa half-stacks (a normal Single Rectifier and a Rect-O-Verb) and liked them a lot for recording but they didn't cut live. I'm also a big fan of the Marshall JCM 2000 DSL, but I've never owned a proper JCM 800 to compare it to. I'm in between axes at the moment but I'm borrowing a Fender Contemporary Telecaster just to mess around on. It's a Japanese made Tele from the '80s that seems to be Fender's answer to Charvel, Jackson, and other Super-Strat type shredders. It's got a fairly high output humbucker in the bridge, a Floyd Rose, and a locking nut. Not my style (I'm a bit more traditional) but it's a very versatile guitar.
These days I'm really into home recording and I run a little website about home recording gear and techniques. The amp simulators (both hardware and software) have come an extremely long way, especially with impulse responses (essentially frequency response patterns made using a sweeping sine wave through the cabinet of choice, picked up with the microphone of choice). They can be tricky to tweak, but with the right approach, I think they can be made indistinguishable from real amps in a mix. Some of the best ones are even free (VST plugins).
These days I'm really into home recording and I run a little website about home recording gear and techniques. The amp simulators (both hardware and software) have come an extremely long way, especially with impulse responses (essentially frequency response patterns made using a sweeping sine wave through the cabinet of choice, picked up with the microphone of choice). They can be tricky to tweak, but with the right approach, I think they can be made indistinguishable from real amps in a mix. Some of the best ones are even free (VST plugins).